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Acrobats and Artists in the Kitchen: “Cuisine and Confessions” Stirs and Amazes

Acrobats and Artists in the Kitchen: “Cuisine and Confessions” Stirs and Amazes

While performers soared on silks, flipped on tables, scaled poles and danced with utensils around the kitchen, the faint scent of banana bread greeted the nose. Usually this level of action would be too much for an audience member to handle, a true sensory over load devoid of meaning. However, on Tuesday, April 12th at...
{ Dd } Response: "Titicut Follies" is Literal, Limited

{ Dd } Response: “Titicut Follies” is Literal, Limited

Earlier this spring, I spoke with three of the four-man team responsible for Titicut Follies: The Ballet. These artist shared thoughts on the Frederick Wiseman film that inspired their project – a film that was banned until the late 80s – and the facility that inspired that film – the Bridgewater Institute for the Criminally Insane. The infamous...
A Conversation with the Creators of "Titicut Follies: the Ballet"

A Conversation with the Creators of “Titicut Follies: the Ballet”

Frederick Wiseman’s film Titicut Follies (1967)–shot in the Bridgewater Institute for the Criminally Insane– inspired a new, full-length dance work choreographed by James Sewell to an original score composed by Lenny Pickett. The project was made possible after Wiseman received a Fellowship from The Center for Ballet and the Arts at New York University, an organization that aims to...
Shifting Between Worlds: An Interview with Cherice Barton

Shifting Between Worlds: An Interview with Cherice Barton

Dance – in particular, ballet –  is what Cherice Barton calls “church.”  One of 3 sisters- all of whom are professional dance artists- Barton attended tap, jazz, and ballet classes from a very young age. But early in life, she dreamed of being an actress, taking acting lessons as a child and even participating in some plays. “Aside...
{ Dd } Response: Dancers Shine in "The Hip Hop Nutcracker"

{ Dd } Response: Dancers Shine in “The Hip Hop Nutcracker”

I love a good remix. So, I jumped at the chance to see The Hip Hop Nutcracker at the Ordway Center for Performing Arts on Tuesday, November 22, 2016. As I walked through the lobby doors that evening, hip-hop songs from the 1980s through modern day reverberated throughout the space. Curious to see where the...
Settling In and Opening Up: Excerpts of an Interview with Deborah Jowitt

Settling In and Opening Up: Excerpts of an Interview with Deborah Jowitt

Alejandra Iannone catches up with the legendary critic, dancer, choreographer, author, and teacher upon the occasion of her receiving the 2016 “Educational Visionary” Lifetime Achievement Award from Mark DeGarmo Dance. The following are excerpts of a longer conversation about her career, writing process, and advice for younger artists and writers.
The Future Is Female: Jessica Lang on ABT Premiere "Her Notes" and Overcoming Gender Bias

The Future Is Female: Jessica Lang on ABT Premiere “Her Notes” and Overcoming Gender Bias

In less than two decades, Jessica Lang has morphed from scrappy freelance choreographer to artistic director of her own nine-member dance company, Jessica Lang Dance, to an arts leader well on her way to establishing a center for dance education and a permanent home for her company in Long Island City. All the while, she...
Stepping Into Greg Wohead's Memory at Georgia Tech

Stepping Into Greg Wohead’s Memory at Georgia Tech

After stepping out of the little black Fiat where Greg Wohead’s one-on-one performance The Backseat of My Car (and other safe places) occurred last Friday night, I found myself struck by a series of instructions Wohead gives the participatory audience member: You look out the window You touch my arm You lean in closer A little...
Combustible Company's "Bluebeard's Dollhouse" is Brave, Though Busy

Combustible Company’s “Bluebeard’s Dollhouse” is Brave, Though Busy

The power of secrets. Violence. Marriage. What scarier ways could there be to usher in Halloween?   I started my October off with the world premiere of “Bluebeard’s Dollhouse,” a new, promenade-style production that merges theater, dance, puppetry and live music, and takes place throughout St. Paul’s historic James J. Hill House. In this work, Combustible...
Project Love ATL: Atlanta Ballet's Alessa Rogers on Gratitude and Giving Back

Project Love ATL: Atlanta Ballet’s Alessa Rogers on Gratitude and Giving Back

Project Love ATL is a benefit performance leveraging the talents of thirty diverse professional artists from Atlanta–dancers, musicians, actors, and visual artists–to raise awareness and funds for a charitable cause. This year, proceeds from ticket sales and a silent auction will go to Lost-n-Found Youth, an organization which addresses the needs of homeless LGBTQ youth and...
{ Dd } Response: Pilobolus' Minnesota Marathon

{ Dd } Response: Pilobolus’ Minnesota Marathon

Pilobolus makes me wonder: Is that dancer being lifted by the neck, or is it just a clever illusion? Have I ever seen someone’s spine move like that? How strong am I? The company, dating from 1971, mixes theatricality with Herculean strength and a surgeon’s precision to create spectacular moving images that soothe and startle. Their May 20th...
Pennsylvania Ballet Ushers in a New Era at the Joyce

Pennsylvania Ballet Ushers in a New Era at the Joyce

“I have always believed that the audience must be blown away by what’s on stage…” This from Angel Corella, in his program note for Pennsylvania Ballet’s recent appearance at The Joyce (March 29-April 3). As a performer, Corella reliably achieved this effect, and he is clearly striving to build a company that will, in time,...
Mark Morris at Northrop: A Trip to the Museum

Mark Morris at Northrop: A Trip to the Museum

Mark Morris’s Dido and Aeneas was created in 1989, in Belgium. I saw it for the first time on March 30, 2016, in Minneapolis. In this work, Morris’ once-irreverent movement style intersects with ancient Greek mythology and English composer Henry Purcell’s 17th century opera to tell the tragic story of two doomed lovers. Onstage, the mood...
Getting Over the Hump with Lara Wilson of The Assembly

Getting Over the Hump with Lara Wilson of The Assembly

Dd contributor and dance renaissance woman Lara Wilson will be performing with her company, The Assembly, this weekend as part of Gwinnett Ballet Theatre’s Friends and Famous Dances. Established in 2014 and based in LA, The Assembly is a collaborative company of artists, choreographers and dancers working to incubate new dance events by up-and-coming local...
{ Dd } Response: SEOP Balances Extremes in "A Man's Requiem"

{ Dd } Response: SEOP Balances Extremes in “A Man’s Requiem”

I made my way to see SEOP Dance Company at the Ordway Theater on March 5th, with no pre-conceived notions, no expectations, no prior knowledge of any kind; only the kind of anticipation that accompanies the rare chance of experiencing something totally unknown. South Korea’s SEOP Dance Company, founded in 1992 and one of the...